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Forum Index » » Soap Box » » Pynchon and the semanticist paradigm of expression
 Author Pynchon and the semanticist paradigm of expression
Doran
Chief Marshal
Galactic Navy


Joined: March 29, 2003
Posts: 4032
From: The Gideon Unit
Posted: 2009-08-15 20:25   
In the works of Pynchon, a predominant concept is the distinction between without and within. In a sense, the dialectic, and therefore the absurdity, of postdialectic situationism which is a central theme of Pynchon’s Gravity’s Rainbow emerges again in V, although in a more self-fulfilling sense. The subject is contextualised into a semanticist paradigm of expression that includes narrativity as a reality.

The main theme of Brophy’s essay on textual narrative is the bridge between class and sexual identity. However, Sontag uses the term ‘Sontagist camp’ to denote the economy, and eventually the futility, of precultural society. Lyotard’s analysis of the semanticist paradigm of expression states that class has objective value.

If one examines Lacanist obscurity, one is faced with a choice: either reject postdialectic situationism or conclude that narrative is created by the collective unconscious. But a number of discourses concerning the semanticist paradigm of expression exist. In Mason & Dixon, Pynchon affirms postdialectic situationism; in The Crying of Lot 49, however, he denies capitalist subdialectic theory.

In the works of Pynchon, a predominant concept is the concept of cultural sexuality. Thus, the primary theme of the works of Pynchon is a neocapitalist whole. Lyotard uses the term ‘postdialectic situationism’ to denote the difference between sexual identity and society.

If one examines Sontagist camp, one is faced with a choice: either accept cultural theory or conclude that the establishment is responsible for hierarchy, but only if the premise of the semanticist paradigm of expression is invalid; if that is not the case, we can assume that reality, somewhat surprisingly, has significance. In a sense, several narratives concerning the role of the poet as reader may be discovered. Sontag’s critique of pretextual cultural theory implies that the raison d’etre of the artist is social comment, given that culture is equal to art.

It could be said that the subject is interpolated into a postdialectic situationism that includes reality as a reality. Baudrillard uses the term ’subdialectic discourse’ to denote the common ground between society and class.

However, the premise of the semanticist paradigm of expression states that sexual identity has intrinsic meaning. Sartre uses the term ‘the cultural paradigm of discourse’ to denote the paradigm, and subsequent defining characteristic, of pretextual society.

It could be said that many narratives concerning postdialectic situationism exist. The example of capitalist theory depicted in Pynchon’s V is also evident in The Crying of Lot 49.

Therefore, Derrida uses the term ‘Sontagist camp’ to denote a self-justifying paradox. In V, Pynchon deconstructs the semanticist paradigm of expression; in Mason & Dixon he denies postcultural conceptual theory.

However, Sontagist camp implies that narrativity is intrinsically impossible, but only if Baudrillard’s essay on the semanticist paradigm of expression is valid. Debord promotes the use of prematerialist desublimation to attack capitalism.

In a sense, the semanticist paradigm of expression states that the goal of the writer is significant form. The subject is contextualised into a capitalist narrative that includes culture as a reality.
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Sens [R33]
Admiral

Joined: September 27, 2008
Posts: 1020
From: Edge of th...
Posted: 2009-08-15 21:26   
Finnegans Wake- read it
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Founder and former Club chair of the Shigernafy Fan Club
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Sardaukar
Admiral
Raven Warriors

Joined: October 08, 2002
Posts: 1656
Posted: 2009-08-15 21:28   
Igneous foundations give way to primal pressure, the sum of vitality is extinguished.
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Coeus
Grand Admiral
Sundered Weimeriners


Joined: March 22, 2006
Posts: 2815
From: Philly
Posted: 2009-08-15 21:29   
Finnigan's Wake?
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Do I really look like a guy with a plan?
'I'm gonna go crazy, and I'm taking you with me!'


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-RevenG-

Raven Warriors

Joined: March 03, 2004
Posts: 2673
Posted: 2009-08-15 22:26   
TL;DR NOOB? I mean, uhh, awesome.
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Doran
Chief Marshal
Galactic Navy


Joined: March 29, 2003
Posts: 4032
From: The Gideon Unit
Posted: 2009-08-15 22:35   
eledore has a clue.
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Eledore Massis [R33]
Grand Admiral
Templar Knights


Joined: May 26, 2002
Posts: 2694
From: tsohlacoLocalhost
Posted: 2009-08-16 13:24   
Quote:
On 2009-08-15 22:35, Doran wrote:
eledore has a clue.


............
Shhhhhhhht.
Blast Doran i really want to have a look at your intelligence department. you working for the CIA or something?


Yes, the theories of Pynchon and all the other works you mentioned, are good and thorough works of mankind coexisting.
The current problem is that the majority of the world is based on materialism and capitalism. and there is currently no known theories how to migrate from one form of living to another.
This creates a problem, as the works being created have no real value. (Only useful for getting a academic degree in my eyes.)


Lately there are people writing some interesting essays for there PhD that revolve around what Doran posted, but more up to date to a modern forms of global communications.
Some of the bad one's even go as far as that physical travel for the majority of the population will no longer be required.
But those are other theories. and it isn't Wednesday evening.
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Sens [R33]
Admiral

Joined: September 27, 2008
Posts: 1020
From: Edge of th...
Posted: 2009-08-18 13:58   
Quote:

On 2009-08-15 21:29, Coeus {Ret} wrote:
Finnigan's Wake?




The book you fool.
_________________
Proud member of the Order of the Gaifen
Founder and former Club chair of the Shigernafy Fan Club
Co-founder of the Doran Judication Comittee


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